{"id":5606,"date":"2023-04-04T21:16:59","date_gmt":"2023-04-04T18:16:59","guid":{"rendered":"https:\/\/taitung.eu\/?p=5606"},"modified":"2026-02-05T15:58:19","modified_gmt":"2026-02-05T12:58:19","slug":"aici-e-paradisul-nu-e-mai-incolo-dupa-colt","status":"publish","type":"post","link":"https:\/\/taitung.eu\/index.php\/aici-e-paradisul-nu-e-mai-incolo-dupa-colt\/","title":{"rendered":"\u201eAici e Paradisul?” \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d"},"content":{"rendered":"
\u201eAici e Paradisul?” \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d<\/h6>\n
\n

Cum \u00ee\u021bi \u00eenchipui paradisul? Un peisaj tropical primitiv, neatins de civiliza\u021bia occidental\u0103 \u0219i de presiunile lumii moderne? Un night-in cozy la tine \u00een apartament, b\u00e2nd o can\u0103 din ceaiul t\u0103u preferat: o oaz\u0103 de lini\u0219te \u0219i de fericire etern\u0103? Bog\u0103\u021bie nem\u0103rginit\u0103? Sau o societate \u00een care to\u021bi oamenii tr\u0103iesc \u00een egalitate, \u00een care nu exist\u0103 bogat sau s\u0103rac?<\/span><\/p>\n

Secolul al XIX-lea marcheaz\u0103 punctul de pornire pentru utopiile care urmeaz\u0103 s\u0103 dea form\u0103 lumii \u00een care tr\u0103im ast\u0103zi, utopii create de mari g\u00e2nditori, n\u0103scute din pasiune ori frustrare; utopii create pentru noi.<\/span><\/p>\n

Descoper\u0103 povestea Florei Tristan \u0219i a lui Paul Gauguin, dou\u0103 suflete polar opuse \u00een ideologie, dar unite prin aceea\u0219i suferin\u021b\u0103: revolu\u021bionari opri\u021bi de c\u0103tre soart\u0103, de c\u0103tre boal\u0103 \u0219i de c\u0103tre o societate egoist\u0103, lipsit\u0103 de viziune \u0219i\u00a0 empatie. Dou\u0103 victime ale propriului vis, ale propriului <\/span>paradis<\/span><\/i>.<\/span><\/p>\n

 <\/p>\n

Flora Tristan: socialista \u0219i feminista uitat\u0103<\/b><\/p>\n

\u00cen 1843, Flora Tristan, o scriitoare \u0219i activist\u0103 socialist\u0103 \u0219i feminist\u0103 franco-peruan\u0103, public\u0103 manifestul <\/span>L\u2019union <\/span><\/i>ouvri\u00e8re<\/span><\/i> (Uniunea Muncitorilor), \u00een care aceasta \u00eembin\u0103 principiile socialiste cu cele feministe, ajung\u00e2nd la concluzia c\u0103 singura modalitate de a emancipa proletariatul \u0219i de a eradica s\u0103r\u0103cia, desfiin\u021b\u00e2nd clasele sociale, este de a emancipa femeia din sintagma societ\u0103\u021bii profund misogine \u0219i dezumanizante a acelei vremi.\u00a0<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Flora Tristan \u00ee\u0219i va dedica via\u021ba acestei cauze, organiz\u00e2nd un turneu de promovare a c\u0103r\u021bii \u00een Fran\u021ba, atribuindu-\u0219i misiunea de a realiza un sindicat al tuturor muncitorilor din \u021bar\u0103, iar apoi din lume. Va organiza \u00eent\u00e2lniri clandestine cu muncitorii din marile ora\u0219e franceze \u0219i va distribui, de cele mai multe ori pe ascuns, exemplare din <\/span>Uniunea Muncitorilor<\/span><\/i>, timp \u00een care va fi urm\u0103rit\u0103 de autorit\u0103\u021bi \u0219i de biseric\u0103. Ajunge s\u0103 fie printre cei mai mari inamici ai sistemului \u0219i moare lupt\u00e2nd pentru cauza c\u0103reia \u0219i-a dedicat \u00eentreaga via\u021b\u0103.<\/span><\/p>\n

\u00cen acela\u0219i deceniu, \u00een 1848, Karl Marx \u0219i Friedrich Engels public\u0103 <\/span>Manifestul Partidului Comunist<\/span><\/i>, eclips\u00e2nd lucrarea Florei, care a fost uitat\u0103 printre r\u00e2ndurile c\u0103r\u021bilor de istorie.<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Unii oameni \u00eens\u0103 sunt mai egoi\u0219ti. Unora le este mai convenabil s\u0103 ignore realitatea \u0219i s\u0103 se refugieze la tropice, unde via\u021ba ar fi perfect\u0103, natural\u0103, nedistrus\u0103 de <\/span>civiliza\u021bia<\/span><\/i> occidental\u0103.<\/span><\/p>\n

 <\/p>\n

Paul Gauguin \u0219i arta \u00een lumea (aproape) primitiv\u0103<\/b><\/p>\n

Paul Gauguin, celebrul pictor postimpresionist \u0219i nepot al Florei Tristan, renun\u021b\u0103 la via\u021ba burghez\u0103 a Parisului ca agent de burs\u0103 \u0219i cade \u00een <\/span>patima<\/span><\/i> artei. Criticat de familie \u0219i de apropia\u021bi, acesta pleac\u0103 de unul singur \u00een insulele Tahiti: colegii s\u0103i de breasl\u0103 visau nebune\u0219te la realizarea unui cerc de arti\u0219ti \u00een insulele Pacificului, care s\u0103-\u0219i dedice via\u021ba artei \u00een natura izbitor de real\u0103 a Marchizelor. Gauguin ar fi fost deci primul colonist artistic al Pacificului, viziunea sa urm\u00e2nd \u00eens\u0103 s\u0103 fie zdrobit\u0103 de boala sa cu transmitere sexual\u0103 incurabil\u0103 \u0219i de realitatea dezam\u0103gitoare din Tahiti.<\/span><\/p>\n

 <\/p>\n

\"\"
Paul Gauguin, autoportret<\/figcaption><\/figure>\n

 <\/p>\n

Gauguin ajunge \u00een Tahiti \u00een 1891 \u0219i, \u00eemb\u0103tat de fericire \u0219i plin de speran\u021b\u0103, se stabile\u0219te \u00een mica a\u0219ezare rural\u0103 de pe insul\u0103. La \u00eenceput, se afl\u0103 \u00een rela\u021bie bun\u0103 cu locuitorii insulei, de la coloni\u0219tii francezi stabili\u021bi pe insul\u0103 la chinezii care de\u021bin pr\u0103v\u0103lii \u0219i birturi \u0219i p\u00e2n\u0103 la b\u0103\u0219tina\u0219i, ai c\u0103ror cultur\u0103 \u0219i via\u021b\u0103 \u00eel fascineaz\u0103 profund. Marea majoritate a operelor sale realizate \u00een aceast\u0103 perioad\u0103 sunt tematizate \u00een jurul vie\u021bii indigenilor, a culturii \u0219i a religiei acestora.<\/span><\/p>\n

 <\/p>\n

\"\"
De unde venim? Ce suntem? \u00cencotro ne \u00eendrept\u0103m?<\/figcaption><\/figure>\n

 <\/p>\n

Dup\u0103 Gauguin, cea mai mare capodoper\u0103 a sa este tabloul intitulat <\/span>De unde venim? Ce suntem? \u00cencotro ne \u00eendrept\u0103m?<\/span><\/i>. Pictorul abordeaz\u0103 ciclul vie\u021bii dintr-o perspectiv\u0103 feminin\u0103, fiecare sec\u021biune a tabloului reprezent\u00e2nd o anumit\u0103 etap\u0103 a vie\u021bii. Tabloul prezint\u0103 de asemenea elemente mitologice \u0219i alegorice, precum mitul biblic al Evei, elemente budiste \u0219i alte simboluri ale religiei \u0219i ale mitologiei locale.\u00a0<\/span><\/p>\n

Acesta orbe\u0219te aproape complet din cauza bolii sale, \u00eens\u0103 continu\u0103 s\u0103 picteze. Arta este singurul lucru care \u00eel \u021bine \u00een via\u021b\u0103, aceasta fiind <\/span>paradisul<\/span><\/i> s\u0103u. Complica\u021biile fizice ale bolii sale au influen\u021bat desigur \u0219i s\u0103n\u0103tatea sa mintal\u0103; ajunge \u00eentr-o depresie sever\u0103, iar factorii externi, via\u021ba \u00een Marchize, nu \u00eel avantajeaz\u0103 deloc. Ajunge s\u0103 fie evitat \u0219i respins de to\u021bi localnicii: proprietarii pr\u0103v\u0103liilor nu \u00eel mai primesc, av\u00e2nd datorii uria\u0219e, imposibil de pl\u0103tit, iar preo\u021bii conving masele s\u0103 se team\u0103 de el \u0219i s\u0103-l evite, fiind considerat un pericol public din cauza comportamentului s\u0103u ajuns incontrolabil.<\/span><\/p>\n

*<\/span><\/h5>\n

Flora Tristan nu va afla niciodat\u0103 de existen\u021ba nepotului ei, Paul Gauguin, iar acesta o va cunoa\u0219te doar din pove\u0219tile auzite despre ea.<\/span><\/p>\n

\u201eMy grandmother was a very peculiar lady\u2026 mixed up in socialism\u2026 an anarchist blue stocking who probably didn’t know how to cook\u201d. Atitudinea lui Gauguin fa\u021b\u0103 de bunica sa este direct propor\u021bional\u0103 cu cea a societ\u0103\u021bii, minimiz\u00e2nd importan\u021ba ac\u021biunilor ei revolu\u021bionare, nelu\u00e2nd-o \u00een serios, trec\u00e2nd cu vederea peste una dintre cele mai importante figuri ale feminismului \u0219i socialismului din spa\u021biul european.<\/span><\/p>\n

Constat\u0103m deci, c\u0103 nici Flora, nici Gauguin, nu au g\u0103sit paradisul pe care \u0219i l-au \u00eenchipuit. Flora moare lupt\u00e2nd pentru utopie, g\u0103sindu-\u0219i motiva\u021bia \u00een sclipirea din ochii ai acelor c\u00e2\u021biva muncitori de la \u00eentruniri, entuziasma\u021bi \u0219i dornici de schimbare, iar Paul Gauguin este ucis de o boal\u0103 cu transmitere sexual\u0103, care \u00eei paralizeaz\u0103 ultimii ani din via\u021b\u0103. Totu\u0219i, continu\u0103 s\u0103 visese; continu\u0103 s\u0103 picteze.<\/span><\/p>\n

 <\/p>\n

\"\"<\/p>\n

 <\/p>\n

Paradisul de dup\u0103 col\u021b\u00a0<\/b><\/p>\n

Mario Vargas Llosa cuprinde via\u021ba a dou\u0103 personaje polar opuse, dar unite prin aceea\u0219i suferin\u021b\u0103, aceea\u0219i frustrare, \u0219i anume incapacitatea de a-\u0219i g\u0103si un loc sub soare, \u00eentr-un roman pe care nu vrei s\u0103-l la\u0219i jos. De la modul \u00een care autorul nareaz\u0103 \u00een plan paralel c\u0103l\u0103toria terestr\u0103 \u0219i cea sufleteasc\u0103 a celor dou\u0103 victime, p\u00e2n\u0103 la aspectul filosofic \u0219i psihologic al textului, romanul \u201eParadisul de dup\u0103 col\u021b\u201d este o carte ce te scoate din rutin\u0103 \u0219i te expune realit\u0103\u021bii intime a doi oameni ajun\u0219i la cap\u0103tul puterilor, lupt\u00e2ndu-se pentru ceva mult mai mare dec\u00e2t ei \u00een\u0219i\u0219i.\u00a0<\/span><\/p>\n

Autorul prezint\u0103 via\u021ba Florei \u00eentr-un mod foarte intim, chiar intruziv: cunoa\u0219tem adev\u0103rata persoan\u0103 din spatele puternicei revolu\u021bionare, urm\u0103rind c\u0103l\u0103toria ei plin\u0103 de neajunsuri \u0219i de suferin\u021b\u0103 at\u00e2t fizic\u0103, c\u00e2t \u0219i sufleteasc\u0103. Ne este prezentat\u0103 via\u021ba ei \u00een Peru \u0219i \u00een Fran\u021ba, parcursul ei profesional \u0219i psihologia al unui om lipsit de sine, chiar neglijent cu propria persoan\u0103.\u00a0<\/span><\/p>\n

Paul Gauguin este urm\u0103rit de c\u0103tre narator ca de propria con\u0219tiin\u021b\u0103, aduc\u00e2nd la suprafa\u021b\u0103 aspecte intime ale vie\u021bii sale: incapacitatea de a-\u0219i g\u0103si <\/span>paradisul<\/span><\/i> interior, concep\u021biile legate de sexualitate, condi\u021bia artei \u0219i a artistului izolat de societatea modern\u0103 \u00eentr-o lume \u00een care se simte ca acas\u0103, dar este perceput ca str\u0103in.<\/span><\/p>\n

Toate acestea sunt concentrate \u00eentr-un roman intens, profund, care \u00ee\u021bi ofer\u0103 mai mult dec\u00e2t contextele \u0219i informa\u021biile istorice ale ac\u021biunii; \u00ee\u021bi ofer\u0103 exemple personale, \u00ee\u021bi ofer\u0103 perspectiv\u0103.<\/span><\/p>\n

\n

Unde e paradisul, domni\u0219oar\u0103?<\/i><\/b><\/p>\n

Acolo domni\u0219oar\u0103, dup\u0103 col\u021b!<\/i><\/b><\/p>\n

Aici, domni\u0219oar\u0103?<\/i><\/b><\/p>\n

Nu domni\u0219oar\u0103, e mai \u00eencolo, dup\u0103 col\u021b!<\/i><\/b><\/p>\n

\n

\n","protected":false},"excerpt":{"rendered":"

\u201eAici e Paradisul?” \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d Cum \u00ee\u021bi \u00eenchipui paradisul? Un peisaj tropical primitiv, neatins de civiliza\u021bia occidental\u0103 \u0219i de presiunile lumii moderne? Un night-in cozy la tine \u00een apartament, b\u00e2nd o can\u0103 din ceaiul t\u0103u preferat: o oaz\u0103 de lini\u0219te \u0219i de fericire etern\u0103? Bog\u0103\u021bie nem\u0103rginit\u0103? Sau o societate \u00een care…<\/p>\n","protected":false},"author":74,"featured_media":5621,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13,1307,1],"tags":[],"class_list":["post-5606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literatura","category-prin-istorie","category-uncategorized"],"yoast_head":"\n\u201eAici e Paradisul?" \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/taitung.eu\/index.php\/aici-e-paradisul-nu-e-mai-incolo-dupa-colt\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eAici e Paradisul?" \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d -\" \/>\n<meta property=\"og:description\" content=\"\u201eAici e Paradisul?” \u201eNu, e mai \u00eencolo, dup\u0103 col\u021b!\u201d Cum \u00ee\u021bi \u00eenchipui paradisul? Un peisaj tropical primitiv, neatins de civiliza\u021bia occidental\u0103 \u0219i de presiunile lumii moderne? Un night-in cozy la tine \u00een apartament, b\u00e2nd o can\u0103 din ceaiul t\u0103u preferat: o oaz\u0103 de lini\u0219te \u0219i de fericire etern\u0103? Bog\u0103\u021bie nem\u0103rginit\u0103? 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